![]() ![]() Passing chords in the lower registers work particualy well after blues licks and lines in the right hand. We use dominat passing chords to create energy and forward motion which drives the tune forward. The melody also lends itself to pasing chords. To create a full sounding arrangement, we then balance this with use of bass notes in the lower registers of the piano. Play with guitar, piano, ukulele, mandolin or banjo. C G/B Am Just an old-sweet song, Dm G7 C F C G+5 keeps Georgia on my mind. Bb Gm C F D Chords for Georgia On My Mind (1966) - The Uniques (Compacto Simples 1967) with Key, BPM, and easy-to-follow letter notes in sheet. Throughout the form we incorporate bluesy fills and licks in the upper registers. INTROC F C G G+5 Verse 1 C E7 Am Am7/G F Fm Georgia,Georgia,the whole day through. We use all 3 of these option to create a varied arrangement. The minor to major movement can be voiced at the top of the chord, in the middle, or at the bottom as a bass line. The minor line cliche appears multiple times in the form and so we explore the different ways we can navigate through this common progression. ![]() To start this tutorial, we play through the form again adding some bigger, more interesting voicings and applying more advanced harmony including altered voicings and upper structure triads. Written by Hoagy Carmichael, Stuart Gorrel Key: G D D E F (one step down) F (half step down) G (original key) G (half step up) A (one step up) A B C C Introdution: G D/F Em Cm C G7 D7/9 D6/9 G7 B7 Em7 Em7/D C7 C Georgia, Georgia, the whole day through G7 E7 A7 D7/9 B7 E7 A7 D7/9b Just an old sweet song keeps Georgia on my mind. In this lesson we take it a step further by applying this scale to the tune Georgia On My Mind. In part 1 of Georgia, we introduced the concept of the major blues scale and the extended blues scale. ![]()
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